Beyond Ethnographic Writing Cover

Beyond Ethnographic Writing

Editors: Ana Maria Forero Angel and Luca Simeone
Publisher: Armando (April 20, 2010)
Language: English, Italiano
Format: paper, ebook

Original title: Oltre la scrittura etnografica, Armando Armando s.r.l, 2010.

Front cover: photographic images taken from the exhibition The Crossing Project, designed by Ranjit Makkuni, New Delhi. Photographic credits: Sacred World Research Laboratory

English version (ISBN: 978-88-6081-697-9)
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Versione italiana (ISBN: 97888-6081-689-4)
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Beyond Ethnographic Writing: Presentation

In 1986 George E. Marcus and James Clifford published Writing Culture: The Poetics & Politics of Ethnography, a text that would become a landmark in contemporary anthropology. Twenty-five years later, nine scholars reflect on how the perspectives opened up by its publication have determined the anthropological practice of recent decades providing inspiration for new ideas in the fields of ethnography, cultural anthropology, design and art criticism. The collection of essays begins with a contribution from Massimo Canevacci reflecting on the unexplored potentialities of digital, connective, hybrid media for ethnographic research and writing, and concludes with a conversation between George E. Marcus and Tarek Elhaik, envisioning an anthropology capable of approaching contemporary art and performance. The other eight essays freely move along the boundaries between political anthropology, philosophy of science, phenomenological ethics and anthropology of design, attempting to cross new ethnographic territories and unexplored paths.

Beyond Ethnographic Writing: Contents

Presentation, Ana Maria Forero Angel, Luca Simeone
1. Pixel air. Digital Auratic Reproducibility, Massimo Canevacci
2. Painful secrets: crossing & mixing writing and communication, Massimo Canevacci
3. Speaking with military personnel: dialogism and reflexivity in ethnographic writing, Ana María Forero Angel
4. If this is what is inside of me, then nobody is safe. The embodied representation between colonial stereotypes and contemporary art: Kara Walker, Giulia Grechi
5. The symptomatic 'I', Fiamma Montezemolo
6. Why ethnography? Critical questions regarding cognitive intentionality in anthropology, Luca Pandolfi
7. Globalisation, intercultural communication, and self-representation, Antonella Passani
8. Emergent patterns and distributed narratives in design anthropology, Luca Simeone
9. Reflections about the polyphonic conditions of the writing, Andréa Vieira Zanella
10. Curatorial Designs in the Poetics and Politics of Ethnography Today: a Conversation between Tarek Elhaik and George E. Marcus
Biographies
References

Beyond Ethnographic Writing: Authors' Biographies and Contacts

Massimo Canevacci Ribeiro- email: maxx.canevacci@gmail.com
Is a Professor of Anthropology at the University of Rome, Italy, and a Visiting Professor at the University of Florianapolis, Brazil. His books include Linea di Polvere (2007), Una stupita fatticità (2007), Culture Extreme (2000), La città polifonica (1993) and Antropologia della Comunicazione Visuale (2001).

Ana Maria Forero Angel - email: amforeroangel@gmail.com
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as born in Bogotá, Colombia, in 1975 and is an anthropologist and philosopher. She is currently a visiting scholar at the Centre of Latino-American Studies at the University of Cambridge, UK. She has degrees in philosophy, during which time she focused on Gadamer and Wittgenstein, as well as anthropology, where her dissertation research explored the concepts of self-representation and staging in the Historical Museum of Police in Bogota, both from Los Andes University. In 2008, she concluded her PhD. in Ricerca in Teoria e Ricerca Sociale in the Department of Sociology and Communication at the University La Sapienza of Rome, Italy. Her doctoral dissertation was about national army elites constructing their own identity. She is currently continuing her research on political violence and the ways in which the elites of the armed Colombian forces have depicted and chosen to remember and represent themselves, used to create their own traditions.

Tarek Elhaik - email: elhaiktarek@yahoo.com
Is both a film curator and an Assistant Professor of Anthropology at Rice University. His work is a diagnostic approach to the after-life of visual cultures in so-called peripheral modernisms, in Latin America and the Middle East specifically. He is interested in current articulations between peripheral anthropological traditions, the historical avant-gardes and contemporary art.  He situates his conceptual and ethnographic intervention at the frontier of anthropology, curatorial practice and contemporary media arts. He is currently working on a manuscript titled Installing Cosmopolitan Modernism: Second-Order Observations After Mexico City where he builds on both his two-year field research in Mexico City and previous work as a film/video curator of Middle Eastern & North African experimental cinemas. The book examines interventions by several experimental filmmakers, curators and installation artists from Mexico, Lebanon and Morocco. His work ultimately seeks to mine the conceptual framework of hybridity and meztijaje that has traditionally shaped approaches to visual/sensory cultures in the Middle East and Latin America, the rapport between experimental ethnography and the historical avant-garde, and the affinities between Latin American studies and post-colonial theory.   His curatorial activity includes experimental film series for Pacific Film Archive, Ruhr Trienale, San Francisco Cinematheque and the Cinematheque de Tanger, among others.

Giulia Grechi- email: grechigiulia@gmail.com
Born in 1980, near Rome, is an anthropologist of visual communication. Graduated in 2004 in Communication Sciences at La Sapienza University in Rome, Italy. Her thesis in Cultural Anthropology dealt with post-colonial literature and theories. In 2009, she completed her doctoral studies in Social Theory and Research with a study on the body’s representation in the works of the Afro-American artists Lorna Simpson and Kara Walker, focusing on colonial representation, the concept of embodiment and emotions as field of knowledge’s production. Her theoretical and research interests are cultural studies, visual and post-colonial studies with specific focus on the relation between anthropology and contemporary art. Collaborating with Professor Massimo Canevacci since 2004 at La Sapienza University, she now teaches courses on Visual Anthropology and Contemporary Art at the European Institute for Design in Rome, Italy (IED) and is the assistant coordinator of and lecturer for the IED Master’s Program in “Museum and Events Curator - Contemporary Arts and Performing Arts”, directed by Professor Viviana Gravano.

George E. Marcus
Is the Chancellor’s Professor of Anthropology at the University of California, Irvine. He has conducted ethnographic studies of elites and elite cultures in a variety of settings: kings and nobles in modern Tonga of the South Pacific; contemporary political and business dynasties in the United States, Europe and Latin America; art collectors; Portuguese aristocrats; and, most recently, negotiators within the World Trade Organization. Since the mid-1990s, he has been working with the idea of “multi-sited ethnography,” which involves direct and long-term contact and inquiry amid both cultures of experts and elites and those of ordinary people in everyday life. Through his founding of a Center for Ethnography at UCI, he has conducted collaborative experiments with the classic form of anthropology’s distinctive method of inquiry and its teaching to meet the challenge of new topics and contexts of research. His books include Ethnography through Thick and Thin; Ocasião: The Marquis and the Anthropologist, A Collaboration (with Fernando Mascarenhas); and Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (with Michael M. J. Fischer), co-editor with Jim Clifford of the acclaimed and watershed volume Writing Culture: The Poetics & Politics of Ethnography, and Designs for An Anthropology of the Contemporary (with Paul Rabinow), among others, and was the inaugural editor of the journal Cultural Anthropology.

Fiamma Montezemolo - email: fiammamontezemolo@gmail.com
Born in 1971, in Rome, is both an anthropologist and artist. As a an established scholar in border and urban studies, she has patiently designed rigorous and long-term ethnographic-artistic interventions at the Tijuana- San Diego border where she has also resided and taught for many years. As an artist she situates her work as a critical extension of the ethnographic turn in contemporary art during the 1990s. In addition to ethnography, a research method she also considers an emerging medium for post-art practices, she works with various media, including performance, video, digital photography, archival material and web-based images. Her art practice straddles various disciplines, sensibilities and methodologies, including institutional critique, public art, social art, relational aesthetics, indigenous media, visual anthropology, performance. She recently contributed a conceptual map of Tijuana for the 2005 edition of the bi-national, public art event InSite05, co-authored, with architect Rene’ Peralta and writer/philosopher Heriberto Yepez, the internationally acclaimed book Here is Tijuana (Black Dog Publishing, London, 2006), has performed in Teatro Vascello in Rome in the antropofagic multi-media performance ‘Opera Malinowski’, has co-directed a video on the Zapatista up-rising, winner of the Visual Anthropology Award in Italy, and has collaborated with various indigenousmedia practitioners in Brazil and Mexico, from the Xavantes community (including Domingos Mahoro’e’o, Caimi, Arquimedes), Vincent Carelli to Carlos Martinez in Chiapas. She is now in the process of reformulating as an installation and institutional critique her past collaborative curatorial project and intervention at the Pigorini Ethnographic Museum in Rome in 1999. She is the author of two ethnographies: Faceless, Ethnicity and Gender in the Zapatist Movement and My history not yours! Chicanos/as Identity: between representation and self-representation. She has numerous national and international publications with Aztlán: Journal of Chicano Studies (UCLA, USA), Third Text (UK), Revista de Antropología Social (Madrid University), La Ventana, Guadalajara University, Letras Libres (Mexico), Avatar, Journal of Anthropology and Communication, Meltemi (Italy). She held several academic appointments: Visiting Scholar at the UCLA Chicano Studies Research Center (2008-2009), Associate Professor of Anthropology in the Department of Cultural Studies at the Colegio de la Frontera Norte, Mexico, (2003-2008), Visiting Professor of Urban Anthropology in Woodbury University San Diego (2004-6), and Visiting Scholar Stanford University (2002).

Luca Pandolfi - email: luca.pandolfi@tiscali.it
Is associate professor of Cultural Anthropology at the Pontifical Urbaniana University of Rome. In the same university he teaches Sociology of Religion, Intercultural Communication and he directs the Master in Social Communication in Intercultural Context. Visiting professor of Cultural Anthropology at Salesian Pontifical University of Rome and at Pontifical Faculty of Sciences of Education "Auxilium", he led seminars of Cultural Anthropology in the University of Rome "La Sapienza". Research fellow in Italy and in Latin America he is trainer and tutor of educators and social workers. He wrote the essay L’interpretazione dell’altro. Per un’antropologia visuale dialogica, Aracne Ed., Roma 2005 and various articles,

Antonella Passani - email: antonellapassani@gmail.com
Is a social science researcher with a background in cultural anthropology, she combines cultural studies, visual anthropology and postcolonial theory. She started her research activity in Thailand focusing her research on the impact of globalization on the way of life in Bangkok. During her PhD she investigated the relationship between visual communication, the representation of diversity, and intercultural communication. Using self-representation as her primary research method, she has carried out action-research projects working with migrant and second-generation teenagers. As a teaching assistant at La Sapienza University in Rome, Italy in the Faculty of Communication Science under –Professor Massimo Canevacci, she carries out research and teaching activities. For the private sector, she is currently involved in several European projects in which she is analysing the use of new technologies in the field of open knowledge generation and flow and local innovation.

Luca Simeone - email: me@luca.simeone.name - website: www.luca.simeone.name
Is a Design Anthropologist and a contemporary entrepreneur. He leads projects in which solutions are designed through ethnographic research methods. His past experiences include the production of award-winning websites and cross-medial interaction design projects for clients ranging from international brands to museums and institutions. Luca has an extensive academic history featuring participation in scientific and commercial publications and teaching and R&D experience at several universities in Rome, Naples and Milan, Italy and New Delhi, India, on the subjects of Cultural Anthropology, Interaction Design, Innovation, Psychology of emotions and Experience Design.

Andrea Vieira Zanella
 - email: azanella@cfh.ufsc.br
Is a Professor of Social Psychology at the University of Santa Catarina, Brasil. Her main research areas and teaching activities are related to social psychology, art psychology and methodology of social research. The focus of her investigations is the process of aesthetic relations connected with creative activities and identity. The extensive list of her publications is at www.cnpq.br and many articles can be accessed at www.bvs-psi.org.br